Booth’s Architectural Series of London Churches

1813–1818.

J. Coney, W. Jenkins, and G. Shepherd.

St Bennet’s Gracechurch.

Booth’s Architectural Series of London Churches

1813

J. Coney, W. Jenkins, and G. Shepherd.

Booth’s Architectural Series of London Churches

1818

J. Coney, W. Jenkins, and G. Shepherd.

St Leonard Shoreditch 

Metropolitan Improvements (Jones & Co.)

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

Engraved by J. Cleghorn. Published July 5, 1828.

Gentleman’s Magazine

St. John’s, Westminster

This copperplate engraving originates from the Gentleman’s Magazine

Date: 1747.

Dimensions: Approx. 18.5 x 11.5 cm.

John Noorthouck’s History of London

A New History of London, Including Westminster and Southwark by John Noorthouck.

1773.

Sheet size approx. 25 x 20 cm.

Showing St. Mary Le Bow, The Monument, and St. Bride’s Church.

Metropolitan Improvements (Jones & Co.)

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

The Universal British Traveller

The Modern Universal British Traveller (or The Complete English Traveller).

Often attributed to Nathaniel Spencer or George Augustus Walpoole.

c. 1771–1790 (various editions).

Sheet size approx. 35 x 24 cm.

View of ye Arch-Bishop’s Palace (Lambeth Palace) & St. Mary’s Church Lambeth.

Metropolitan Improvements (Jones & Co.)

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

Metropolitan Improvements (Jones & Co.)

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

Metropolitan Improvements (Jones & Co.)

Thomas Hosmer Shepherd’s landmark series, Metropolitan Improvements; or London in the Nineteenth Century.

Publisher: Jones & Co., Temple of the Muses, Finsbury Square, London.

Artist: Thomas Hosmer Shepherd

Standard sheet size approx. 21 x 14 cm (8 x 5.5 inches); image size approx. 15 x 10 cm.

H. Gerard’s Views of Waterloo

Lithograph.

Publication: Collection de Douze Vues de Waterloo (Collection of Twelve Views of Waterloo).

Publisher: H. Gerard, Brussels.

Date: 1842 (Inscribed: “Déposée… le 1er Septembre 1842”).

Dimensions: Sheet size approx. 29 x 22.5 cm.

Church of Waterloo (St. Joseph’s Church).

St Mary’s Church in the Strand.

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

St Vedast (Foster Lane), Allhallows Barking, and St Peter’s in Cornhill

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

The History and Survey of London from its Foundation to the Present Time

c.1750s

Sheet size approximately 40–45 cm x 26–30 cm (approx. 16–18 x 10–12 inches); image size approx. 35 x 24 cm

View of the Inside of Westminster Abbey and View of the Inside of St Paul’s Cathedral £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
Two of London’s most significant sacred interiors are shown here: the medieval Abbey church of St Peter at Westminster, burial place of English monarchs, and Wren’s Baroque St Paul’s Cathedral, rebuilt after the Great Fire.
Date: c. 1769–1772
Notes: Both buildings survive; significant nineteenth-century restorations altered interior appearance.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Paul’s Cathedral and View of St Paul’s School £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
Christopher Wren’s cathedral stands beside St Paul’s School, founded in 1509 by John Colet to provide humanist education irrespective of wealth. The pairing reflects the traditional association between the cathedral precinct and scholastic life. As commercial pressure intensified in the nineteenth century, the school relocated westward and the precinct lost its academic character.
Date: c. 1769–1772
Notes: Cathedral survives; school relocated and site redeveloped.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

The Abbey Church of St Peter Westminster and the Admiralty Office £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
This leaf places the medieval Abbey church, with its long association with coronation and royal burial, beside the Admiralty Office, administrative headquarters of Britain’s rapidly expanding naval empire. There is a symbolic partnership of church and state in the Hanoverian period. It also situates the Abbey within a working district rather than the tourist.
Date: c. 1769–1772
Notes: Abbey survives; Admiralty buildings expanded in the nineteenth century; district significantly redeveloped.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

The Chapel of King Henry VII in Westminster Abbey and the Front View of Westminster Hall £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
Henry VII’s chapel, completed in 1519, represents the final flowering of English Perpendicular Gothic. Westminster Hall, begun in the eleventh century and enlarged in the late fourteenth, served as both ceremonial space and law court, becoming one of England’s defining civic buildings.
Date: c. 1769–1772
Notes: Both survive; Westminster Hall incorporated into the parliamentary complex after the 1834 fire.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Giles-in-the-Fields, St George’s Hanover Square, St James’s Westminster, St Anne’s Westminster, St George Queen Square, Temple Bar £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
A cluster of West End churches that served the expanding aristocratic and professional districts beyond Charing Cross.
Date: c. 1769–1772
Notes: All architectural landmarks survive with alterations; Temple Bar moved in the nineteenth century and later re-erected in Paternoster Square.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of Christ Church Spitalfields, View of St Leonard’s Church Shoreditch, and View of St Botolph’s Church Bishopsgate Street £10

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
Three major East London churches serving rapidly growing districts beyond the old City walls. Christ Church Spitalfields by Nicholas Hawksmoor is among the most original expressions of English Baroque architecture, dominating its silk-weaving district with severe geometry and an extraordinary steeple. Shoreditch and Bishopsgate anchor older suburban parishes tied to trade, industry and migration. This leaf documents the ecclesiastical infrastructure of London’s eighteenth-century eastern expansion.
Date: c. 1769–1772 (approx. 7.5 × 11.5 in)
Notes: Christ Church restored; Shoreditch rebuilt in the eighteenth century; Bishopsgate church survives with modifications.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Mary Woolnoth Lombard Street, View of St Edmund the King Lombard Street, and View of Allhallows Lombard Street £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
A dense cluster of City churches serving the commercial district around Lombard Street, long associated with finance and overseas trade. St Mary Woolnoth, rebuilt by Hawksmoor in 1716–27, is among the most architecturally distinctive churches of the period, its twin towers forming an austere profile within narrow streets. The plate captures London’s ecclesiastical density before nineteenth-century bank expansions reduced the number of churches in the City.
Date: c. 1769–1772
Notes: St Mary Woolnoth survives; other churches demolished during nineteenth-century commercial redevelopment.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Stephen’s Walbrook, Allhallows the Great Thames Street, St Michael’s Queenhithe, St Mary at Hill near Billingsgate, St Botolph’s in Botolph Lane, and the Chapel in the Tower £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
St Stephen Walbrook, rebuilt by Christopher Wren, is regarded by many as his most elegantly proportioned church. The surrounding parish churches served the riverfront wards associated with wharves, warehouses, and maritime trade. Together they convey the liturgical infrastructure before Victorian commercial pressures produced large-scale demolitions.
Date: c. 1769–1772
Notes: St Stephen survives; several neighbouring parishes demolished in the nineteenth century; only fragments remain of some.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Mary-le-Strand, View of St Paul’s Church Covent Garden, and View of St Clement’s Church Strand £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
This leaf surveys three prominent West End churches set along or near the Strand and Covent Garden. St Mary-le-Strand by Gibbs became a key urban landmark at the head of the Strand, while St Paul’s Covent Garden, designed by Inigo Jones, served the fashionable Piazza and local theatre district. St Clement Danes, rebuilt by Wren earlier in the century, had become closely associated with the legal and publishing trades nearby.
Date: c. 1769–1772
Notes: All three churches survive; St Clement Danes restored after the Blitz as the RAF church.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Mary’s Whitechapel, St Paul’s Shadwell, St Ann’s Limehouse, St George’s Ratcliff Highway, St Dunstan’s Stepney, St John’s Wapping £10 (approx. 7.5 × 11.5 in)
These six parishes formed the core of London’s eastern riverbank, serving sailors, shipwrights, watermen, merchants, and workers tied to the docks. Stepney was the ancient “mother parish” from which the others were carved as populations surged.
Date: c. 1769–1772
Notes: Major dock construction in the nineteenth century reshaped the area; several churches rebuilt or altered; Whitechapel church demolished in 1953 after bomb damage.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Olave’s Church Southwark, View of St George’s Southwark, View of Christ’s Church Surrey £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Three Southwark parishes located just beyond London Bridge, where taverns, theatres, prisons, and hospitals gathered outside the jurisdictional constraints of the City. St George’s served a large working population, St Olave’s was associated with river trade and warehousing, and Christ Church emerged after redevelopment following the Fire.
Date: c. 1769–1772
Notes: St George’s survives; St Olave’s demolished in the twentieth century; Christ Church rebuilt after nineteenth-century redevelopment.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St John’s Church Southwark, St Mary Magdalen’s Church Bermondsey Street, St Mary’s Church Rotherhith £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
These parishes served the expanding communities along the south bank east of London Bridge, including Bermondsey’s tanneries and Rotherhithe’s shipyards. The area became closely associated with maritime employment and overseas trade.
Date: c. 1769–1772
Notes: Rotherhithe church survives; Bermondsey church demolished 1965; extensive redevelopment with docks and rail in the nineteenth century.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of the Parish Church of Stoke Newington, View of the Church of St John at Hackney, View of the Church of St Matthew at Bethnal Green £10 (approx. 7.5 × 11.5 in)

These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.
This leaf shows three suburban villages north and east of the City prior to industrialisation and dense housing development. The images capture a period when these settlements were distinct villages surrounded by fields, a landscape largely effaced in the nineteenth century.
Date: c. 1769–1772
Notes: Churches rebuilt or greatly altered; districts absorbed into Greater London with arrival of transport and housing.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Mary’s Church Islington, St James’s Church Clerkenwell, St Luke’s Church Old Street £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Three important northern suburban parishes occupying the fringe between the City and the still-rural Middlesex countryside. Clerkenwell was noted for its monastic foundations and later for watchmaking and printing; Islington developed as a semi-rural residential district; and Old Street became tied to artisanal and small industrial trades.
Date: c. 1769–1772
Notes: Islington church rebuilt in the nineteenth century; Clerkenwell church rebuilt 1790s; St Luke’s closed 1959 and later repurposed as a music venue.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Mary-le-Bow Cheapside, View of St Mary Aldermary Church Bow Road, and View of St Mildred’s Church Bread Street £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

These three churches formed part of the City’s western parish belt. St Mary-le-Bow’s famous bells marked civic timekeeping, Aldermary represented late Gothic refinement, and St Mildred served the mercantile population of Bread Street. Chamberlain’s view preserves a district later reshaped by nineteenth-century retail and banking development.
Date: c. 1769–1772
Notes: St Mary-le-Bow survives; Aldermary restored; St Mildred destroyed in WWII and not rebuilt.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Mary Aldermanbury, St Lawrence Jewry Cateaton Street, St Michael’s Wood Street, St Giles Cripplegate, St Stephen’s Coleman Street, St Margaret’s Lothbury £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Many of these churches were rebuilt by Wren after the Great Fire, though St Giles Cripplegate survived and retains its medieval fabric. The plate records the extraordinary concentration of parish churches that once existed within a short walk of the Guildhall, reflecting how residential this part of the city once was.
Date: c. 1769–1772
Notes: St Giles survives; several others demolished in the nineteenth century as the commercial district expanded.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Mildred’s Church in the Poultry, View of St Michael’s Church Cornhill, and View of St Peter’s Cornhill £10 (approx. 7.5 × 11.5 in)
A cluster of three churches near the junction of Cheapside and Cornhill, historically one of London’s busiest commercial axes. Cornhill’s churches served merchants, brokers, and clerks involved in domestic and overseas trade.
Date: c. 1769–1772
Notes: St Michael and St Peter demolished during nineteenth-century redevelopment; St Mildred destroyed in 1941 and not rebuilt.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Trinity Minories, St Andrew Undershaft Leadenhall Street, St Margaret Pattens Little Tower Street, St Mary Abchurch Abchurch Lane, St Clement’s Eastcheap, Allhallows Staining Crutched Friars £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

This leaf documents several City parishes east of the Royal Exchange, near Leadenhall Market and the shipping offices. St Andrew Undershaft, one of the least altered medieval churches in the City, stands out for its survival and distinctive tower. The others reflect the post-Fire rebuilding programme that recast the district.
Date: c. 1769–1772
Notes: St Andrew Undershaft survives; others demolished or altered during nineteenth-century commercial expansion.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St James Garlickhith, St Nicholas Cole Abbey Old Fish Street, St Mary Magdalen Old Fish Street, St Swithin’s Cannon Street, St Matthew’s Friday Street, St Michael’s College Hill £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Parishes clustered near the riverfront wards between Queenhithe and the Fish Street markets, areas historically tied to provisioning, wharf commerce, and food distribution. Several of these churches were rebuilt after the Fire in restrained classical forms suitable to narrow medieval plots.
Date: c. 1769–1772
Notes: Most churches demolished in the nineteenth century; St James Garlickhithe survives; Cannon Street later widened for rail.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

View of St Andrew’s Church Holborn, View of St Sepulchre’s Church Snow Hill £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Two important western parishes situated near the legal and printing districts around Holborn. St Andrew Holborn, rebuilt by Wren, served a populous and socially mixed ward, while St Sepulchre’s gained notoriety for its proximity to Newgate Prison and the bell rung prior to executions.
Date: c. 1769–1772
Notes: Both churches survive; district significantly altered by nineteenth-century road and rail improvements.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.

St Christopher’s Church, the Bank of England, and St Bartholomew’s Church £10 (approx. 7.5 × 11.5 in)
These views come from Henry Chamberlain’s New and Compleat History and Survey of the Cities of London and Westminster (London, c.1770), one of the earliest illustrated surveys of London.

Two City churches frame the early Bank of England in this composite view. The image highlights the coexistence of medieval parishes and emergent financial capitalism in the eighteenth-century City. Within decades, the expansion of banking offices led to the demolition of many nearby churches, making this plate a document of a soon-to-vanish ecclesiastical landscape.
Date: c. 1769–1772
Notes: Both churches demolished during nineteenth-century bank enlargement; Bank rebuilt by Sir John Soane.

To purchase, email cordeliaprintsdecorativeart@gmail.com with the print title and your location. UK and international shipping available.